<i>(We fade in on an establishing shot outside a gym, filmed unsteadily with what is probably a handheld camera. Though it's clear what the building is thanks to the windows showing its interior, the actual name of the gym has been covered up in post-production with a black bar. We can vaguely make out someone standing near the front door, probably an employee, as another person walks toward the door and starts to unlock it)
(After a second or two, the shot dissolves to one apparently inside the gym, in what looks to be the entrance area. The first employee, a younger blond guy, walks in, with the second employee – an older, brown-haired guy, probably a manager, following him. In front of the camera position is a folded-up piece of paper)</i>
<b>Manager:</b> --out that. I don't think I could have hit any more red lights on the way in.
<b>Employee:</b> Don't worry about it. I was only out there like two minutes.
<b>Manager:</b> Yeah, I know, I'm just mad at myself. I promised Chris last week I wouldn't come in late and leave him hanging out there, and the first day I open and he doesn't, I--(interrupted)
<b>Employee:</b> The hell's that?
<i>(Both look in the direction of the folded-up paper. The manager starts toward it)</i>
<b>Manager:</b> Huh.
<i>(He picks up the paper, still folded up, and inspects it)</i>
<b>Employee:</b> Closing guys complaining again?
<b>Manager:</b> No, it doesn't even look like it's for us.
<b>Employee:</b> That's bizarre. Who's it for?
<b>Manager:</b> I don't even know this guy. You recognize the name?
<i>(The manager shows the employee the paper)</i>
<b>Employee:</b> I have no—oh wait.
<i>(The employee takes the paper from the manager to get a closer look at it)</i>
<b>Employee:</b> I know who this is. He's that pro wrestler. Um, the First. EPW. You don't follow wrestling, do you?
<b>Manager:</b> Not for a long time. Does he work out here or something?
<b>Employee:</b> He has. I remember seeing him, I assume when they're doing a show around here. I think my brother told me they were going to be coming through again in a couple weeks, so whoever left this must be expecting him to come back.
<b>Manager:</b> A fan or something?
<b>Employee:</b> Only one way to find out.
<i>(He unfolds the paper)</i>
<b>Manager:</b> Wait, should you read that?
<b>Employee:</b> Dude, we're not the postal service. If someone is trying to use us to get a message to a pro wrestler, they have to expect it to get read, and made fun of a lot.
<i>(As the employee starts to read the letter, words begin scrolling onto the screen, transcribing what he's saying as he awkwardly reads it out loud)</i>
You need to open your mind, First.
For over a year, you've been seeing the same vision, playing through the same scenario in your mind. There's the EPW World Heavyweight Title, and there's periphery. Not only can you not see beyond it, you don't think anyone else can see beyond it.
That's the problem with you and those of your ilk, First, those whose only goal is personal glory. Your obsession with the title, with beating Sean Stevens, is foremost in your mind, to the exclusion of all else. You'd gladly watch the rest of the world burn around you, if only you could stand atop the flaming wreckage for one fleeting moment, the title belt held aloft and Sean Stevens vanquished at your feet.
Broaden your horizons, First. See what I see.
I don't have your singular obsession with glory. Neither the EPW World Heavyweight Title nor any other EPW title is instrumental to my mission. The King of the Cage tournament has put me one match away from the World Heavyweight Champion, and I can't claim I plan to avoid the title, but I don't need it like you do. I've been World Heavyweight Champion before, in another life. I've had my day at the top of the mountain. I didn't need another one, didn't want another one.
I didn't come back to this business to relive that moment. I came back to this business to set things right. That my plans may force me to take the throne atop EPW is unfortunate. I would not consider that option were it not necessary, but every shred of evidence I've seen indicates that it is.
You can't see that evidence because you are singularly fixated on one goal. Look around, First. See what I see.
The storybook victory you've written for yourself has proven itself an inaccurate telling time and time again. Everyone but you sees it. Everyone but you sees that every time you reach for the top, you fall. And yet you persist. You'll be content to keep doing the same thing over and over again, expecting a different result.
That's the definition of insanity, First. But I can see how you might not notice it. That's what everyone in EPW is doing. Retracing their steps over and over again, thinking that if they do it enough times, they might reach a different destination.
But my path is clear. In a world gone mad, I've achieved clarity – become the only sane man. I am aware of everything around me, and how it relates to my purpose in EPW. I have laid out a path that will heal the sickness that afflicts this business, that you and those like you have infected this business with. I must destroy this affliction, break it down piece by piece, until all that is left is what remains healthy about this business. And then I will begin the work of rebuilding it in my incorruptible image.
Your claims that you will never see my vision are as empty as your many claims that you will win EPW gold. I don't expect it to come to you easily. You may not like it. You may not agree with it. But you'll understand why I see it.
Open your eyes, First. Take a look around. There will be a lot for you to see once you've torn your eyes – or once I've torn your eyes – from the goal you cannot achieve, and refocused them on reality.
You'll see why what you are doing is so destructive to the business I love. You'll see how those around you are trying to kill it, believing that what little, meaningless glory they achieve in the process will keep them warm when it's all gone cold and dead.
You'll see what I see, First. And you'll know why my way is the only way.
Cat
<i>(The scrolling letters fade from the screen. The employee still holds the letter in front of him, though he's stopped reading aloud, and the manager stares at the employee, expressionless. After a few seconds of silence, the employee looks up)</i>
<b>Employee:</b> What should we--(interrupted)
<b>Manager:</b> Get rid of that. Throw it away.
<b>Employee:</b> But--(interrupted)
<b>Manager:</b> I don't know what this guy's after, but I don't want any part of it. Get rid of it.
<i>(The employee crumples up the paper and walks offscreen, presumably looking for a trash can or something. The manager glances in the direction of the camera shot, staring directly at it)</i>
<b>Manager:</b> What's this, now?
<i>(The camera immediately cuts to black)</i>