They took me back to the rosewood office in handcuffs. Finlay sat at the big desk, in front of the flags, under the old clock. Baker set a chair at the end of the desk. I sat opposite Finlay. He took out the tape machine. Dragged out the cords

Positioned the microphone between us

Tested it with his fingernail

Rolled the tape back

Ready

The last twenty-four hours, In detail

The two policemen were crackling with repressed excitement. A weak case had suddenly grown strong. The thrill of winning was beginning to grip them. I recognized the signs

I was in Tampa last night, Got on the bus at midnight. Witnesses can confirm that. I got off the bus at eight this morning where the county road meets the highway. If Chief Dade says he saw me at midnight, he's mistaken. At that time I was about four hundred miles away. I can't add anything more, Check it out

Finlay stared at me Then he nodded to Baker who opened a buff file

Victim is unidentified, No ID. No wallet. No distinguishing marks. White male, maybe forty, very tall, shaved head. Body was found up there at eight this morning on the ground against the perimeter fence close to the main gate. It was partially covered with cardboard. We were able to fingerprint the body. Negative result. No match anywhere in the database

Who was he, Carmine?

Baker waited for some sort of reaction from me. He didn't get one. I just sat there and listened to the quiet tick of the old clock. The hands crawled around to two-thirty. I didn't speak. Baker riffed through the file and selected another sheet. He glanced up again and continued

Victim received two shots to the head, Probably a small-calibre automatic with a silencer. First shot was close range, left temple, second was a contact shot behind the left ear. Obviously softnosed slugs, because the exit wounds removed the guy's face. Rain has washed away the powder deposits but the burn patterns suggest the silencer. Fatal shot must have been the first. No bullets remained in the skull. No shell cases were found

Where's the gun, Carmine?

I looked at him and made a face

Didn't speak

Victim died between eleven-thirty and one o'clock last night, Body wasn't there at eleven-thirty when the evening gateman went off duty. He confirms that. It was found when the day man came in to open the gate. About eight o'clock. He saw you leaving the scene and phoned it in

Who was he, Carmine?

I ignored him and looked at Baker

Why before one o'clock?

The heavy rain last night began at one o'clock, The pavement underneath the body was bone dry. So, the body was on the ground before one o'clock when the rain started. Medical opinion is he was shot at midnight

I nodded

Smiled at them

The time of death was going to let me out

Tell us what happened next

I shrugged at him

You tell me, I wasn't there. I was in Tampa at midnight

Baker leaned forward and pulled another sheet out of the file.

What happened next is you got weird, You went crazy

I shook my head at him

I wasn't there at midnight, I was getting on the bus in Tampa. Nothing too weird about that

The two cops didn't react. They looked pretty grim.

Your first shot killed him, Then you shot him again, and then you went berserk and kicked the shit out of the body. There are massive postmortem injuries. You shot him and then you tried to kick him apart. You kicked that corpse all over the damn place. You were in a frenzy. Then you calmed down and tried to hide the body under the cardboard

I was quiet for a long moment

Postmortem injuries?

Baker nodded

Like a frenzy, The guy looks like he was run over by a truck. Just about every bone is smashed. But the doctor says it happened after the guy was already dead. You're a weird guy, Vestieri, that's for damn Sure

Who was he?

Finlay asked for the third time

I just looked at him. Baker was right. It had got weird. Very weird. Homicidal frenzy is bad enough. But postmortem frenzy is worse. I'd come across it a few times. Didn't want to come across it any more. But the way they'd described it to me, it didn't make any sense

How did you meet the guy?

I carried on just looking at him

Didn't answer

What does Pluribus mean?

I shrugged

Who was he, Vestieri?

I wasn't there, I don't know anything

Finlay was silent

What's your phone number?

I looked at him like he was crazy

Finlay, what the hell are you talking about? I haven't got a phone. Don't you listen? I don't live anywhere

I mean your mobile phone

What mobile phone? I haven't got a mobile phone

A clang of fear hit me. They figured me for an assassin. A weird rootless mercenary with a mobile phone who went from place to place killing people. Kicking their dead bodies to pieces. Checking in with an underground organization for my next target. Always on the move. Finlay leaned forward. He slid a piece of paper toward me. It was a torn-off section of computer paper. Not old. A greasy gloss of wear on it. The patina paper gets from a month in a pocket. On it was printed an underlined heading. It said:

Pluribus. Under the heading was a telephone number

I looked at it. Didn't touch it. Didn't want any confusion over fingerprints

Is that your number?

I don't have a telephone, I wasn't here last night. The more you hassle me, the more time you're wasting, Finlay

It's a mobile phone number, That we know. Operated by an Atlanta airtime supplier. But we can't trace the number until Monday. So we're asking you. You should co-operate, Vestieri

I looked at the scrap of paper again

Where was this?

Finlay considered the question. Decided to answer it

It was in your victim's shoe, Folded up and hidden

I sat in silence for a long time. I was worried. I felt like somebody in a kid's book who falls down a hole. Finds himself in a strange world where everything is different and weird. Like Alice in Wonderland. Did she fall down a hole? Or did she get off a Greyhound in the wrong place?

I was in a plush and opulent office. I had seen worse offices in Swiss banks. I was in the company of two policemen. Intelligent and professional. Probably had more than thirty years' experience between them. A mature and competent department. Properly staffed and well funded. A weak point with the asshole Dade at the top, but as good an organization as I had seen for a while. But they were all disappearing up a dead end as fast as they could run. They seemed convinced the earth was flat. That the huge No Limit sky was a bowl fitting snugly over the top. I was the only one who knew the earth was round

Two things, The guy is shot in the head close up with a silenced automatic weapon. First shot drops him. Second shot is insurance. The shell cases are missing. What does that say to you? Professionally?

Finlay said nothing. His prime suspect was discussing the case with him like a colleague

As the investigator, he shouldn't allow that. He should cut me down. But he wanted to hear me out. I could see him arguing with himself. He was totally still, but his mind was struggling like kittens in a sack.

Go on

He said eventually. Gravely, like it was a big deal

That's an execution, Finlay, Not a robbery or a squabble. That's a cold and clinical hit. No evidence left behind. That's a smart guy with a flashlight scrabbling around afterward for two small-calibre shell cases

Go on

Finlay said again

Close range shot into the left temple, Could be the victim was in a car. Shooter is talking to him through the window and raises his gun. Bang. He leans in and fires the second shot. Then he picks up his shell cases and he leaves

He leaves? What about the rest of the stuff that went down? You're suggesting a second man?

I shook my head

There were three men, That's clear, right?

Why three?

Practical minimum of two, right? How did the victim get out there to the warehouses? He drove, right? Too far from anywhere to walk. So where's his car now? The shooter didn't walk there, either. So the practical minimum would be a team of two. They drove up there together and they drove away separately, one of them in the victim's car

But?

But the actual evidence points to a minimum of three, Think about it psychologically. That's the key to this thing. A guy who uses a silenced small-calibre automatic for a neat head shot and an insurance shot is not the type of guy who then suddenly goes berserk and kicks the shit out of a corpse, right? And the type of guy who does get in frenzy like that doesn't then suddenly calm down and hide the body under some old cardboard. You're looking at three completely separate things there, Finlay. So there were three guys involved

Finlay shrugged at me

Two, maybe, Shooter could have tidied up afterward

No way, He wouldn't have waited around. He wouldn't like that kind of frenzy. It would embarrass him. And it would worry him Because it adds visibility and danger to the whole thing. And a guy like that, if he had tidied up afterward, he'd have done it right. He wouldn't have left the body where the first guy who came along was going to find it. So you're looking at three guys

Finlay thought hard

So?

So which one am I supposed to be? The shooter, the maniac or the idiot who hid the body?

Finlay and Baker looked at each other

Didn't answer me

So whichever one, what are you saying? I drive up there with my two buddies and we hit this guy at midnight, and then my two buddies drive away and I choose to stay there? Why would I do that? It's crap, Finlay

He didn't reply

He was thinking

I haven't got two buddies, Or a car. So the very best you can do is to say the victim walked there, and I walked there. I met him, and I very carefully shot him, like a pro, then recovered my shell cases and took his wallet and emptied his pockets, but forgot to search his shoes. Then I stashed my weapon, silencer, flashlight, mobile phone, the shell cases, the wallet and all. Then I completely changed my whole personality and kicked the corpse to pieces like a maniac. Then I completely changed my whole personality again and made a useless attempt to hide the body. And then I waited eight hours in the rain and then I walked down into town. That's the very best you can do. And it's total crap, Finlay. Because why the hell would I wait eight hours, in the rain, until daylight, to walk away from a homicide?

He looked at me for a long moment

I don't know why

A guy like Finlay doesn't say a thing like that unless he's struggling. He looked deflated. His case was crap and he knew it. But he had a severe problem with the chief's new evidence. He couldn't walk up to his boss and say:

You're full of shit, Dade

He couldn't actively pursue an alternative when his boss had handed him a suspect on a plate. He could follow up my alibi. That he could do. Nobody would criticize him for being thorough. Then he could start again on Monday. So he was miserable because seventy-two hours were going to get wasted. And he could foresee a big problem. He had to tell his boss that actually I could not have been there at midnight. He would have to politely coax a retraction out of the guy. Difficult to do when you're a new subordinate who's been there six months. And when the person you're dealing with is a complete asshole

And your boss

Difficulties were all over him, and the guy was miserable as hell about it. He sat there, breathing hard. In trouble

Time to help him out

The phone number, You've identified it as a mobile?

By the code, Instead of an area code, they have a prefix which accesses the mobile network

OK, But you can't identify who it belongs to because you have no reverse directories for mobiles and their office won't tell you, right?

They want a warrant

But you need to know whose number it is, right?

You know some way of doing that without a warrant?

Why don't you just call it up and see who answers?

They hadn't thought of that

There was another silence

They were embarrassed

They didn't want to look at each other

Or me

Silence

Baker bailed out of the situation. Left Finlay holding the ball. He collected up the files and mimed going outside to work on them. Finlay nodded and waved him away

Baker got up and went out Closed the door very quietly indeed

Finlay opened his mouth. And closed it. He needed to save some face. Badly.

It's a mobile, If I call it up I can't tell whose it is or where it is

Listen, Finlay, I don't care whose it is. All I care is whose it isn't. Understand? It isn't my phone. So you call it up and John Doe in Atlanta or Jane Doe in Charleston answers it. Then you know it isn't mine

Finlay gazed at me. Drummed his fingers on the desk. Kept quiet.

You know how to do this, Call the number, some bullshit story about a technical fault or an unpaid bill, some computer thing, get the person to confirm name and address. Do it, Finlay, you're supposed to be a damn detective

He leaned forward to where he had left the number. Slid the paper back with his long brown fingers. Reversed it so he could read it and picked up the phone

Dialled the number

Hit the speakerphone button. The ring tone filled the air. Not a sonorous long tone like a home phone. A high, urgent electronic sound. It stopped. The phone was answered

Paul Hubble, How may I help you?

A southern accent. A confident manner. Accustomed to telephones

Mr Hubble?

Finlay said, He was looking at the desk, writing down the name

Good afternoon. This is the phone company, mobile division. Engineering manager. We've had a fault reported on your number

A fault? Seems OK to me. I didn't report a fault

Calling out should be OK, It's reaching you that may have been a problem, sir. I've got our signal-strength meter connected right now, and actually, sir, it's reading a bit low

I can hear you OK

Hello? You're fading a bit, Mr Hubble. Hello? It would help me to know the exact geographic location of your phone, sir, you know, right now, in relation to our transmitting stations

I'm right here at home

He picked up his pen again

Could you just confirm that exact address for me?

Don't you have my address? You seem to manage to send me a bill every month

Finlay glanced at me. I was smiling at him. He made a face.

I'm here in engineering right now, sir, Customer details are in a different department. I could access that data, but it would take a minute, you know how it is. Also, sir, you've got to keep talking anyway while this meter is connected to give me an exact strength reading, you know? You may as well recite your address, unless you've got a favorite poem or anything

The tinny speakerphone relayed a laugh from the guy called Hubble

OK, here goes, testing, testing, This is Paul Hubble, right here at home, that's number twenty-five Beckman Drive, I say again, zero-two-five Beckman Drive, down here in little old Margrave, that's M-A-R-G-R-A-V-E, in the State of No Limit, USA. How am I doing on my signal strength?

Finlay didn't respond. He was looking very worried.

Hello?' Are you still there?

Yes, Mr Hubble, I'm right here. Can't find any problem at all, sir. Just a false alarm, I guess. Thank you for your help

OK, You're welcome

The connection broke and dial tone filled the room. Finlay replaced the phone. Leaned back and looked up at the ceiling. Spoke to himself.

Shit, Right here in town. Who the hell is this Paul Hubble?

You don't know the guy?

He looked at me. A bit rueful. Like he'd forgotten I was there.

I've only been here six months, I don't know everybody

He leaned forward and buzzed the intercom button on the rosewood desk. Called Baker back in

Ever heard of some guy called Hubble? Paul Hubble, lives here in town, twenty-five Beckman Drive?

Paul Hubble? Sure. He lives here, like you say, always has. Family man. Dade knows him, some kind of an in-law or something. They're friendly, I think. Go bowling together. Hubble's a banker. Some kind of a financial guy, you know, a big shot executive type, works up in Atlanta. Some big bank up there. I see him around, time to time

Finlay looked at him

He's the guy on the other end of this number

Hubble? Right here in Margrave? That's a hell of a thing

Finlay turned back to me

I suppose you're going to say you never heard of this guy?

Never heard of him

He glared at me briefly. Turned back to Baker

You better go on out and bring this Hubble guy in, Twenty-five Beckman Drive. God knows what he's got to do with anything, but we better talk to him. Go easy on him, you know, he's probably a respectable guy

He glared at me again and left the room. Banged the heavy door. Baker reached over and stopped the recording machine. Walked me out of the office. Back to the cell. I went in. He followed and removed the handcuffs. Put them back on his belt. Stepped back out and closed the gate. Operated the lock. The electric bolts snicked home. He walked away.

Hey, Baker

I called. He turned and walked back. A level gaze. Not friendly.

I want something to eat, And coffee

You'll eat up at the state facility, Bus comes by at six

He walked away

He had to go and fetch the Hubble guy. He would shuffle up to him apologetically. Ask him to come down to the station house, where Finlay would be polite to him. While I stood in a cell, Finlay would politely ask Hubble why his phone number had been found in a dead man's shoe.

My coat was still balled up on the cell floor. I shook it out and put it on. I was cold again. Thrust my hands into the pockets. Leaned on the bars and tried to read through the newspaper again, just to pass the time. But I wasn't taking anything in. I was thinking about somebody who had watched his partner shoot a guy in the head. Who had seized the twitching body and kicked it around the floor. Who had used enough furious force to smash all the dead inert bones. I was standing there thinking about stuff I'd thought I was through with. Stuff I didn't want to think about anymore. So I dropped the paper on the carpet and tried to think about something else.

I found that if I leaned up in the front far corner of the cell I could see the whole of the open-plan area. I could see over the reception counter and out through the glass doors. Outside, the afternoon sun looked bright and hot.

It looked like a dry and dusty place again. The heavy rain had moved on out.

Inside was cool and fluorescent. The desk sergeant sat up on a stool. He worked on his keyboard. Probably filing. I could see behind his counter. Underneath were spaces designed not to be seen from the front. Neat compartments contained papers and hardback folders. There were sections with Mace sprays

A shotgun

Panic buttons

Behind the desk sergeant the uniformed woman who'd printed me was busy. Keyboard work. The large room was quiet but it hummed with the energy of Investigation

- [ * * * ] -

So I imagine a lot of you are probably pretty pissed with me after last week's edition of Avulsion?

And yet, it got everyone talking, and in the last week, it's become one of the most watched and downloaded No Limit-related clips on YouTube. Which proves something to me: for all that you people boo me and jeer me and chant 'Fuck You, Carmine' at me, you enjoyed seeing me lay Mr. Sunshine And wisecracks down on international television

Don't deny it

I certainly am not going to deny that I enjoyed humiliating the so called Prince on No Limit television. What makes it even sweeter is the fact that despite everything that's happened to him, he is still the prince of wrestling, and so his reactions to being humiliated, to being degraded, to being brutalized in the ring, are still pure and untarnished.

Last week I drew the battle lines, and everyone’s favorite hero failed to step up. And even after getting dropped dead center last week, Alex still puts up this 'all is well with the world' optimism, because deep down, underneath that smiling face, he's absolutely fucking out of his gourd, and you all know it.

You all know how this goes. Nobody who puts on a cheery face in spite of all that happens to them is ever completely in control of things. It's like letting the pressure build up in a boiler. If you don't let that emotion out now and then, it's gonna explode, and take a lot of the surrounding area with it. It happens with people, too. You see some shallow, perpetually cheerful Stepford Smiler, and sooner or later, they snap and go Ax Crazy.

What Alex has to realize is that pro wrestling is still trying to recover from what the 80s and early 90s did to it, despite the boom we had back around 2000. Things are in a decline now. If we want this business to survive into the next generation, some changes are gonna have to be made, and one of them is getting rid of the chaff like Alex Jay.

Let me be perfectly clear about this, folks: these hall of fame returns, Alex Jay there all nothing more than different forms of cancer. That’s right Alex, although you see yourself as some sort of hero, you are a tumor, and I'm the surgeon holding the scalpel.

You've been living in your own little fantasy world for too long.

It's time to wake up, and face reality.

But that war isn’t on the front lines, at least not yet.

Arianna Velazquez

Congratulations on signing up for the We're Just Giving You An Excuse To Collect A Paycheck' qualifying round Congratulations. This is about as far as you’ll ever get to the Chaotic cage match, because let’s face it your being used as a filler, a filler to give me my return spot into the main event, what you think is a privilege is nothing more than an excuse of not giving me a bye into the Chaotic Cage

And before you believe in tossing the gender card out there as some sort of defense, lets look at the facts dollface. Wrestling was a business created by, run by, and generally staring men. That's not to say that there aren't companies out there that do the same thing, only with women. But generally, the men and women do not lock up together. Why? Because men are just genetically bigger and stronger than the average woman. And when a six-five human wrecking machine gets his hands on a five-five woman, there are women's rights' groups who start queueing up to do picket lines against man-on-woman violence.

But oh, no, here in No Limit Championship Wrestling, the women are allowed to lock up with the men. And some of them do pretty well for themselves. Still, if they came into this company knowing they'd pair off against men, they had to know there was the serious possibility that they'd get really fucking hurt.

And this week, I’m going to do what I do every week. And If I'm booked against a woman, then, sorry, sugar, you're about to get your fucking skull caved in.

You are so far below my league it's insulting that they shoved you in the ring with me. Don’t act stun doll, this is what I do, am I not supposed to threaten your career because you’ve got a set of tits? Am I supposed to be too concerned about you to say what I'm thinking? No, doll, you're not that sexy to keep me from bashing your face in, to me you look like any other trick on the tracks looking for a quick buck

How are you going to pin me if you can't get yourself off the mat? How are you going to lift me over your head, when you can't see straight from your own blood running into your eyes, or can't use your arm because I dislocated your shoulder for you? See, Arianna...the thing you probably don't get is that while most people would indeed be intimidated about knocking such a pretty face, I look forward to it, I look forward in crushing whatever dreams you have of being a professional wrestler

Before I go Arianna...do yourself a favor and keep your fucking mouth shut this week. I'm going to fuck you up. That's given. Don't make it worse by pissing me off

Bow Down, Arianna to the new Prince of Wrestling

No Exceptions

Aight peeps, I'm out for now. Wait- you...fat boy, sitting in front of your computer, wishing on Christmas that you could live just one glorious day of my exceedingly fabulous life....yeah you....slap yourself right now for that shit, homie. That's right. Now do it again. Don't ever think that shit is possible. There's only one Lion, as Arianna will find out at Avulsion

Welcome to the big leagues, Dollface


-- That’s a Wrap! --