[FADE IN to a lone red flame, flickering softly. For now, when we hear a voice, it echoes unseen]
Karl: Tricks. Magicians use them to entertain the crowd and earn some money. Priests and shaman have used them for centuries to beguile and control. And ordinary men use them to play a perpetual game of one-upsmanship. Not all tricks are obvious, and not all tricks are subtle. Some are word tricks, some are sleight of hand, some are visual and some are auditory. But they all have the same core use.
[Suddenly, the flame is reflected in dozens of mirrors. They start as a circle, running behind our vantage point, but quickly change to form first a winding corridor, and then a straight one, another source-less flame in the far distance burning green]
Karl: They’re all used for personal gain. Money, fame, status, position… anything you can imagine, can be gained by tricks. And almost all tricks can be seen through.
Except the tricks we play on ourselves.
[The red flame sputters, and in its death-throes almost screams in agony. The green flame still burns brightly, growing in strength as the mirrors close around it. A low, lonely note plays from a ghostly unseen flute as we drift through the flame and into a mirror. We turn, the flame flickering in the distance as the sound of gravel being crunched underfoot joins the flute. We turn again, the sound shifting to come at us from behind]
Karl: We all play tricks on ourselves. The man who loathes his job but tells himself that he does it to feed his family could do another job, but not only has he tricked himself into thinking he needs this one to provide for his family, he’s also tricked himself into thinking he might not get another job. The company president who builds an illusion of greatness through his position and wealth tricks himself into believing he’s worth anything, when he could in reality be replaced by a toy hamster without negative impact on the company. The man who dives from the hotel balcony with his two children can fool themselves for years, thinking that if they’d done something differently, their children’s deaths could’ve been avoided but that too is a trick – not to soothe their soul, but to punish it by reliving what can’t be changed. But by far the biggest trick that any man can play on themselves… is a very, very simple one.
It’s life. More precisely, thinking we can understand our own lives.
[Suddenly the droning note stops, the footsteps stop, and the glow from the green flame dies. We are left cold and alone in pitch Nothingness]
Karl: At best, we can only make vague guesses and assumptions. We can’t even discuss what we think we don’t know, because we cannot communicate. At least not without being misunderstood.
[The scene changes, showing “The Dragon” standing alone in a vast plain. We ZOOM IN from distance, sweeping down until we’re level with his face. ZOOMING OUT slightly, “The Dragon” turns, gesturing to the plain]
Karl: Ask any group of people to explain – this – and you’ll get some of the same words used, but the meaning’ll be different. We all perceive things differently, rely on our minds to understand what we perceive, and use the limited modes of communication we have to try and tell others in a way that they’ll perceive what we do.
Understand? Mankind has made life such that no two men can understand each other. And because man as a whole has a need to define itself based on relations with others, because we can’t form one opinion on something as seemingly basic as a definition of a plain, we can’t begin to understand ourselves. To understand ourselves we’d need a consensus of opinion and communication means we’ll never achieve it.
Or if you want the short version, Karl Popper said it’s impossible to speak in such a way that you cannot be misunderstood.
And it seems… Fusenhoff, since he responds to that name, and I have both been guilty of misunderstanding the other. Egg on my face? Not really. Like I said earlier, I’ve made mistakes before. I’ll make more. I learn more from mistakes, they’re fun. Hopefully Fusenhoff’ll learn the fun of having made mistakes.
Yes, I’m going to keep mispronouncing your name. It rolls off the tongue easier, and a name’s just something other people use to identify you, so if you respond to it, hey, let them use it. But that’s not the point here. The point I’m making… is you’ve fallen into a whole raft of tricks and traps, none of which I set… ok, maybe one or two that I set. My mind works differently to most so seeing someone supposed neuro-typical is interesting. Like watching someone from a totally alien culture with different sociological rules. I can’t help it.
But… ignoring the traps I set, you fell into one I didn’t think was possible to fall into anymore. Not the forgetting what’s different about me, but… forgetting that I don’t care if I beat someone. If you remember what I said… I said I’ve always gone in to win, but winning doesn’t necessarily mean me beating you. That’s the difference between me and, say… let’s take Christian Sands as an example. He’d come to the ring to beat you. That’s what he’d focus on. I come to ring to test my own abilities, and if I break through my own limits, I win. It used to be if I beat my personal best in the triple jump, I won. I’d also normally win a medal but that never really interested me. It’s the same now in wrestling – if I beat my own abilities, I win. If you don’t put up enough of a fight for me to come close to my limits and I pin you or make you submit, I’ve won. Because I’ve learnt something – just how far my limits are. That might be difficult for some people to understand, but it’s what I mean when I say I go out there to win.
Mike Randalls? That match? Heck, I remember that one. I said pretty much the same thing back then as I have all week. It’s a test of my own limits that I’m after. When Sergeant beat me, what irritated me most wasn’t losing the title, but not having given it my absolute all. If you beat me and I don’t give it everything I’ve got, I’ll be miffed at myself. When Troy Douglas made me submit, I was actually pretty happy.
I hope you understand that a bit better. Sorry I couldn’t make it all singing and dancing but, truth be told, most of what passes for entertainment these days I find dull. Different people, different opinions.
Even about what constitutes a plain.
[He starts to walk away from the camera, before turning on his heel to face the camera, arms outstretched]
Karl: You know what, Fusenhoff? Despite us both not really getting each other, this match is still looking interesting to me. I doubt my limits are anywhere near what they were, but beyond all the misunderstanding I do see you as someone who won’t stop. Who wants to push himself as much as I want to push myself. If we’re at similar levels, it’ll be interesting to see who goes beyond that limit first. If one of us is below-par, it’ll be interesting to see if they can force themselves back to standard. A battle of prides, a battle of two egos, and a battle where we could both walk away winner, no matter who pins the other.
Whatever happens, I’m going to shake your hand. No game, no trick, and nothing to gain from it.
[Suddenly, “The Dragon” disappears from view. We PAN DOWN to where he stood, and see a small handmirror. ZOOMING IN closer, we see “The Dragon” standing in the mirror, leaning against the bonnet of his car just off the freeway]
Karl: OK, maybe one more trick.
[FADE OUT]